Dark Side of the Mountain offers an immersive, high-energy celebration of Pink Floyd’s early psychedelic era—raw, exploratory, and visually stunning. A live-projection experience and improvisational edge make this a must-see night for fans of classic psych-rock.
Hamlet by William Shakespeare directed by Robert Hastie Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy. Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one. National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining. This is an on screen event.
Pete Francis is a singer, songwriter, and multi-instrumentalist known for blending eclectic genres and collaborating across the musical spectrum. Initially one-third of the legendary New England indie band Dispatch, Pete and the group sold over 700,000 albums and achieved monumental live success, including five sell-outs at Madison Square Garden and a record-breaking 100,000-person crowd at Boston’s Hatch Shell. During Dispatch’s near decade-long hiatus, Pete launched a solo career in 2001, releasing seven albums through his Dragon Crest Collective label and establishing himself as an emotive and dynamic artist.
Since 2023, Vermont songwriter Lily Seabird‘s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a touring bassist with Greg Freeman, Lutalo, and Liz Cooper. While she thrives in transit, back home she is anchored by “Trash Mountain,” a pink house surrounded by other artists and creatives situated on a decommissioned landfill site at the back of Burlington’s Old North End. Here, Seabird has found belonging, friendship, and inspiration. It’s a place that hosts artists, puts on shows, and has been passed along in her friend group for the better part of the decade. It’s a symbol of transition and stability: something always evolving and growing but never losing its soul. It’s only fitting that Seabird named her new album Trash Mountain, as it also contains its namesake’s qualities. Over nine delicate but sturdy tracks of intimate folk rock, she pares her songwriting down to its most resonant essentials. It’s an album of unwelcome exits and uncertain futures, but there’s resiliency and hope at its core. It is Seabird’s most confident and immediate effort to date. Where Seabird’s previous records — 2024’s Alas, and 2021’s Beside Myself — were written over the course of a year, Trash Mountain practically poured out of Seabird: three months of songwriting in spring 2024, followed by four days of tracking with Kevin Copeland (Hannah Frances, Lightning Bug, Allegra Krieger) in his Southern Vermont studio in the summer. The condensed timeline allowed her to be present and process how differently her life looks now compared to a few years ago. She’s coped with transforming relationships and grief, as well as music’s awkward shift from a no-pressure, casual thing to do with friends to a career. Though working in environmental politics and community organizing brought her to Vermont from Pennsylvania, her disillusionment with systemic change led her to become a full-time musician. It’s a transition that requires ...
Sons of Town Hall,the transatlantic folk duo of American songwriter/author David Berkeley and British songwriter/producer Ben Parker, is creating an entirely new performance genre. Part live concept album, part performance art, they conjure their timeless mythic universe under the aliases Josiah Chester Jones and George Ulysses Brown, 19th-century vagabonds who travel the world in a hand-built boat to escape troubled pasts and search for adventure and love. Designed as a live companion experience to their gorgeous radio-theater podcast Madmen Cross The Water, The Sons weave their wild and hilarious stories between their heartbreaking and rousing songs, taking audiences on a deeply imaginative trip every show. Madmen Cross the Water is comedy fiction at its best, immersive and transportive, a bit like Welcome to Nightvale crossed with Flight of the Conchords and Dolly Parton’s America. Complete with a lush original score and hosted by a fictitious superfan/band archivist, each monthly episode tells one of George and Josiah’s adventures from around the world and reveals a new song from their forthcoming album, Of Ghosts and Gods. The album will be released in full in 2025, with the first singles, “Wild Winds” and “How to Build a Boat,” out now along with episode 1. Each month will bring another song and another episode. The podcast is an incredible corollary to Sons of Town Hall’s live show, allowing the duo to develop their elaborate backstory in far more detail. Both the Sons of Town Hall concert and the podcast offer escapes from the everyday, temporary relief from the woes of the modern world. Listeners and concertgoers alike are left transfixed and transformed, in awe of Sons of Town Hall’s harmonies, and drunk on adventure and the tragic beauty of the human condition.
There was no master plan. No label strategy. Just a spontaneous jam at Nashville’s Station Inn between a few friends—seasoned players, all women, making a little noise. But something clicked. The room lit up, the crowd roared, and Sister Sadie was born. What started as an accidental band became a force. GRAMMY-nominated. IBMA-decorated. Opry-validated. But for all the accolades, they were often reduced to one line: an all-female bluegrass band. True—but never the point. Sister Sadie has always been about the music. The fire. The truth. Their new album, All Will Be Well, is that truth—loud, fearless, and free. You’ll hear echoes of bluegrass, but what rises is something bigger: country with claws, Americana with muscle, gospel grit and raw storytelling. From the haunting “Prodigal Daughter” to the swagger of “Do What You Want” and the aching beauty of “If I Don’t Have You,” these six women are not performing roles—they’re telling you who they are. This is Sister Sadie, evolved: bold, bonded, and braver than ever. They’re not asking for space. They’re taking it. And they’re just getting started.
A seasoned solo artist with 20+ years of touring history and also the lead singer of Toad the Wet Sprocket, a band renowned for its enduring appeal and hits spanning decades. Glen’s solo work showcases a deeply personal, introspective side, blending his signature melodic sensibility with compelling storytelling. His live performances are known for their warmth, connection, and authenticity, creating an intimate atmosphere that resonates with audiences.
Isaac Mizrahi has worked extensively in the entertainment industry as an actor, host, writer, designer and producer for over 30 years. He is the subject and co-creator of Unzipped, a documentary following the making of his Fall 1994 collection which received an award at the Sundance Film Festival. He hosted his own television talk show The Isaac Mizrahi Show for seven years, has written two books, and has made countless appearances in movies and on television. He currently serves as a judge on Project Runway: All-Stars. He is Chief Designer for the Isaac Mizrahi brands, a division of Xcel Brands, Inc. In 2009, Mizrahi launched his lifestyle collection, “ISAACMIZRAHILIVE!” on QVC. His IMNYC collection is currently sold at Lord & Taylor and Hudson’s Bay Company. Mizrahi has directed productions of A Little Night Music and The Magic Flute for the Opera Theatre of St. Louis. Annually, he directs and narrates his production of the children’s classic Peter and The Wolf at The Guggenheim Museum in New York. He has performed cabaret at Café Carlyle, Joe’s Pub, West Bank Café and City Winery locations across the country. Mizrahi has his own production company, Isaac Mizrahi Entertainment, under which he has several projects in development in television, theatre and literature. His memoir, I.M., was published in February 2019.
With a repertoire that spans classical masterpieces, contemporary compositions, and genre-defying collaborations, Brooklyn Rider, the innovative string quartet known for their adventurous spirit and captivating performances, redefines the boundaries of chamber music. Their dynamic approach and technical prowess promise an electrifying concert experience that resonates with audiences of all musical tastes.
Cape Breton’s Celtic legend Natalie MacMaster and Fiddle virtuoso Donnell Leahy invite some of the World’s top Celtic Musicians to join them for an incredible night! This musical journey will feature true all-stars of the Celtic world from Ireland, England, Scotland and beyond. Natalie and Donnell will explore the connections between Celtic styles across countries and take the audience from the music’s ancient roots to its modern trends. Join Natalie, Donnell, their daughter Mary Frances and their special guests for an unforgettable night!
This work aims to tell a story about a feeling – the feeling of red. It is the liminal space between fighting for your life and surrendering to the unknown. This work plays with possible outcomes and pathways – it moves through time, memory, and reverie – objects are personified, and the protagonist shifts in both perspective and character. It purposely leaves space for you to meet it and wonder.
Rosanne Cash is a composer and singer-songwriter who has earned 4 Grammy Awards and 14 Grammy nominations, among numerous other accolades for songwriting and sound recordings. She is also an author, whose 2010 memoir Composed garnered widespread praise from critics and landed on The New York Times bestseller list. In addition, she is a music community catalyst who often brings together giants of American roots music for various events and is a valued voice in documenting modern music history. In 2021, Cash was the first female composer to receive the MacDowell Medal, awarded since 1960 to an artist who has made an outstanding contribution to American culture.
Beloved author Anne Lamott has a new book out in March 2026 co-written with her husband, Neal Allen. Based on rules of writing Neal has collected over the years, it’s also a sideways glimpse into how Anne and Neal collaborate on writing, editing, and living together. Together, they bring humor, warmth, and wisdom to audiences seeking relief from political fear, help with roadblocks to creativity, and methods for taming life’s everyday gremlins. **Anne Lamott writes and speaks about subjects that begin with capital letters: Alcoholism, Motherhood, Jesus. But armed with self-effacing humor –she is laugh-out-loud funny – and ruthless honesty, Lamott converts her subjects into enchantment. Actually, she writes about what most of us don’t like to think about. She wrote her first novel for her father, the writer Kenneth Lamott, when he was diagnosed with brain cancer. She has said that the book was “a present to someone I loved who was going to die.” In all her novels, she writes about loss – loss of loved ones and loss of personal control. She doesn’t try to sugar coat the sadness, frustration and disappointment, but tells her stories with honesty, compassion and a pureness of voice. As she says, “I have a lot of hope and a lot of faith and I struggle to communicate that.” Anne Lamott does communicate her faith; in her books and in person, she lifts, comforts, and inspires, all the while keeping us laughing. “Lamott is a narrator who has relished and soaked up the details of her existence, equally of mirth and devastation, and spilled them onto her pages.” — New York Times **Neal Allen is a writer, spiritual coach, and speaker. He is the author of Better Days: Tame Your Inner Critic (Namaste, 2023), and Shapes of Truth: Discover God Inside You, as well as the upcoming Good Writing: 36 Ways to Improve Your Sentences with Anne. Photo: Sam Lamott ...
For Pete the Cat, life is an adventure no matter where you wind up. So the minute the groovy blue cat meets The Biddles, he gets the whole family rocking. That is, except for young Jimmy Biddle, the most organized second grader on planet Earth. But when Jimmy draws a blank in art class during the last week of school, it turns out Pete is the perfect pal to help him out. Together, they set out on a mission to help Jimmy conquer second grade art, and along the way, they both learn a little something new about inspiration. Join Jimmy and Pete on an adventure of friendship, all the way to Paris and back in a VW Bus!
WOMEN OF AMERICANA A Celebration of American Music Cristina Vane Songwriter, singer, slide guitar and clawhammer banjo player Cristina Vane has a breadth and depth of serious musical skill. Cristina’s half American, half Guatemalan heritage is as unique as her sound. She is a product of a merging of numerous worlds – her classic rock, 90s indie, and heavier roots with her passion for pre-war blues, old time fiddle banjo music, country and bluegrass. She has an extensive touring history and has provided direct support for Molly Tuttle, Bob Weir, Wynonna Judd, Sam Bush, Nikki Lane, Arlo McKinley and Willi Carlisle just to name a few. Cristina has been mentioned in Rolling Stone Country and NPR, and was featured in the Bank of America ad for Ken Burns’ Country Music documentary. Brennen Leigh Brennen Leigh is an American songwriter, guitar player, mandolin player and singer whose to-the-point storytelling style has elevated her to cult icon status in Europe, Scandinavia, the United States, South America and the United Kingdom. Her songs have been recorded by Lee Ann Womack, Rodney Crowell, Sunny Sweeney, Charley Crockett and many others. As renowned for her musicianship as she is for her writing, it’s easy to see how Leigh caught the ear of greats like Guy Clark and David Olney, who described her writing as “tender, violent, sentimental, foolish and wise, she is always Brennen. Confident and at ease with herself, without being a jerk about it.”
When the class gets lost on the way to the planetarium, Ms. Frizzle saves the day by blasting into outer space for an epic interplanetary field trip! But when rivalries both old and new threaten to tear the students apart, our young heroes must learn to pull together or risk getting forever lost in the solar system. Hop on the Magic School Bus for a ride in this new musical adaptation based on the original book series published by Scholastic.
Whatever you do, don’t let the Pigeon star in his own musical production! With a script written by Mo Willems, the creator of the #1 New York Times best-selling, Caldecott Honor award-winning “Pigeon” picture books, and featuring music by Deborah Wicks La Puma (Elephant & Piggie’s We Are in a Play!), TheaterWorksUSA‘s Don’t Let the Pigeon Drive the Bus! The Musical! is even more fun than staying up late and having a hot dog party! It’s not easy being the Pigeon-you never get to do ANYTHING! But when the Bus Driver has a crisis that threatens to make her passengers (gasp!) late, maybe that wily bird CAN do something. Featuring an innovative mix of songs, and feathers, Don’t Let the Pigeon Drive the Bus! The Musical! is sure to get everyone’s wings flapping.