Upcoming Events
Meyer, Marshall, Meyer
January 31 @ 07:00pm
American music masters Edgar Meyer(bass) and Mike Marshall(mandolin) join together with George Meyer(violin) for a special collaboration usually only heard on the summer bluegrass festival circuit! Expect to hear works from the genre bending Short Trip Home album of many years ago as well as new music written specifically for this tour. Edgar’s son George is charting his own course in the musical world and represents the next generation of artists expressing their unique voices and perspective. He certainly has strong roots!
Dark Side of The Mountain
— February 6 – 7
Dark Side of the Mountain offers an immersive, high-energy celebration of Pink Floyd’s early psychedelic era—raw, exploratory, and visually stunning. A live-projection experience and improvisational edge make this a must-see night for fans of classic psych-rock.
National Theatre Live – Hamlet
February 10 @ 10:00am
Hamlet by William Shakespeare directed by Robert Hastie Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy. Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one. National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining. This is an on screen event.
Spruce Peak Unplugged: Pete Francis of Dispatch
February 14 @ 07:00pm
Pete Francis is a singer, songwriter, and multi-instrumentalist known for blending eclectic genres and collaborating across the musical spectrum. Initially one-third of the legendary New England indie band Dispatch, Pete and the group sold over 700,000 albums and achieved monumental live success, including five sell-outs at Madison Square Garden and a record-breaking 100,000-person crowd at Boston’s Hatch Shell. During Dispatch’s near decade-long hiatus, Pete launched a solo career in 2001, releasing seven albums through his Dragon Crest Collective label and establishing himself as an emotive and dynamic artist.
Spruce Peak Unplugged: Lily Seabird
February 20 @ 07:00pm
Since 2023, Vermont songwriter Lily Seabird‘s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a touring bassist with Greg Freeman, Lutalo, and Liz Cooper. While she thrives in transit, back home she is anchored by “Trash Mountain,” a pink house surrounded by other artists and creatives situated on a decommissioned landfill site at the back of Burlington’s Old North End. Here, Seabird has found belonging, friendship, and inspiration. It’s a place that hosts artists, puts on shows, and has been passed along in her friend group for the better part of the decade. It’s a symbol of transition and stability: something always evolving and growing but never losing its soul. It’s only fitting that Seabird named her new album Trash Mountain, as it also contains its namesake’s qualities. Over nine delicate but sturdy tracks of intimate folk rock, she pares her songwriting down to its most resonant essentials. It’s an album of unwelcome exits and uncertain futures, but there’s resiliency and hope at its core. It is Seabird’s most confident and immediate effort to date. Where Seabird’s previous records — 2024’s Alas, and 2021’s Beside Myself — were written over the course of a year, Trash Mountain practically poured out of Seabird: three months of songwriting in spring 2024, followed by four days of tracking with Kevin Copeland (Hannah Frances, Lightning Bug, Allegra Krieger) in his Southern Vermont studio in the summer. The condensed timeline allowed her to be present and process how differently her life looks now compared to a few years ago. She’s coped with transforming relationships and grief, as well as music’s awkward shift from a no-pressure, casual thing to do with friends to a career. Though working in environmental politics and community organizing brought her to Vermont from Pennsylvania, her disillusionment with systemic change led her to become a full-time musician. It’s a transition that requires ...