Upcoming Events
LOAD-IN THROUGH THE BACK PODCAST Live w/ Wheatus and Steve Poltz
May 2 @ 07:00pm
Vermont-based music interview podcast Load-In Through the Back brings their energetic and engaging interviews to life onstage May 2nd at Spruce Peak Performing Arts Center in Stowe, VT! Featuring a live concert and conversation with the 2000’s rock icons behind “Teenage Dirtbag,” Wheatus, and Americana legend Steve Poltz! The event also features a performance by Troy Millette & the Fire Below and a special pre-show busker-style performance from Washington DC’s Brian K. & the Parkway.
The Brook and The Bluff
June 5 @ 07:00pm
Expertly crafted songs and sublime musicianship are the backbone of Nashville-based band The Brook & The Bluff. Originally from Birmingham, AL, the band’s name is derived from the pockets of Birmingham where they grew up—Bluff Park for frontman Joseph Settine, and Mountain Brook for drummer John Canada, keyboardist Kevin Canada, and guitarist Alec Bolton.
The Littlest Cove
— June 8
The Littlest Cove is an immersive discovery play for the very young, ages 3-6. Written by Mara McEwin, choreographed by Emily Bunning, The Littlest Cove is full of wonder, visuals and tactile interactive experiences. The play follows the lives of 3 unusual creatures, who reside on the edge of a small coastal inlet, off of an island, that no one in the entire world has ever discovered before. Audiences soon discover that they too, are a part of this enchanting world and are immersed in the storytelling through play, exploration and community interactions with the set, props and performers.
An Afternoon with Chamber Music Society of Lincoln Center: Dvořák, Mozart, and Weber
June 22 @ 03:00pm
“New York City’s supreme chamber music series.” —The New Yorker The Chamber Music Society of Lincoln Center presents a captivating evening of chamber music featuring works by Dvořák, Mozart, and Weber.
The Wallflowers
July 13 @ 06:00pm
Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it. And you always hear it with the Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over. Even so, in recent years, Dylan – the Wallflowers’ founding singer, songwriter and guitarist – has repeatedly stepped outside of his band, first with a pair of more acoustic and rootsy records, 2008’s Seeing Things and 2010’s Women + Country, and then with the 2018 film Echo in the Canyon and the accompanying soundtrack, which saw him collaborate with a host of artists classic and contemporary, from Neil Young and Eric Clapton to Beck and Fiona Apple. But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, the Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. Plus, he adds with a laugh, “It’s pretty hard to get a good band name, so if you have one, keep it.” Good band name aside, that life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over. And while the wait has been long, the much-anticipated record finds the band’s signature sound – lean, potent and eminently entrancing – intact, even as Dylan surrounds himself ...