Join Stowe Dance Academy for a performance full of entertainment. This high level dance showcase features styles from Lyrica, Jazz, Contemporary, Tap, Musical Theater & Hip Hop. Local dancers from ages 5-45 from Stowe, Morrisville, Elmore, Waterbury, the Mad River Valley & beyond are thrilled to present their hard work and passion to their Vermont Community. A family favorite, great for all ages.
Dorothy and her dog Toto are whisked away during a tornado to the magical land of Oz. The Yellow Brick Road leads her, the Scarecress, Tingirl and the Lioness to the Emerald City and the magical land of the Wizard. This classic and well-known story is brought to life through dance, beautiful costuming, creative musicality and of course, local Vermont youth dancers ages 2-18, presenting their passion – Ballet!
Green Mountain Performing Arts invites you to join us for our 2025 spring Recital, Together We Dance! Meet us at Spruce Peak Performing Arts Center on Friday, May 30th and Saturday, May 31st for two shows full of passion, hard work, and joy! Enjoy two shows featuring pieces in a variety of dance styles- from hip hop, to ballet, to celtic dance (plus many more!). Students have spent hours in the studio learning new techniques and skills and they can’t wait to share it all with you! We are so excited for a weekend full of dancing, emotions, and unity. Come to watch your kiddo, feel the sense of community, and see what GMPA has to offer. Together We Dance!
Expertly crafted songs and sublime musicianship are the backbone of Nashville-based band The Brook & The Bluff. Originally from Birmingham, AL, the band’s name is derived from the pockets of Birmingham where they grew up—Bluff Park for frontman Joseph Settine, and Mountain Brook for drummer John Canada, keyboardist Kevin Canada, and guitarist Alec Bolton.
The Littlest Cove is an immersive discovery play for the very young, ages 3-6. Written by Mara McEwin, choreographed by Emily Bunning, The Littlest Cove is full of wonder, visuals and tactile interactive experiences. The play follows the lives of 3 unusual creatures, who reside on the edge of a small coastal inlet, off of an island, that no one in the entire world has ever discovered before. Audiences soon discover that they too, are a part of this enchanting world and are immersed in the storytelling through play, exploration and community interactions with the set, props and performers.
“New York City’s supreme chamber music series.” —The New Yorker The Chamber Music Society of Lincoln Center presents a captivating evening of chamber music featuring works by Dvořák, Mozart, and Weber.
Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it. And you always hear it with the Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over. Even so, in recent years, Dylan – the Wallflowers’ founding singer, songwriter and guitarist – has repeatedly stepped outside of his band, first with a pair of more acoustic and rootsy records, 2008’s Seeing Things and 2010’s Women + Country, and then with the 2018 film Echo in the Canyon and the accompanying soundtrack, which saw him collaborate with a host of artists classic and contemporary, from Neil Young and Eric Clapton to Beck and Fiona Apple. But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, the Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. Plus, he adds with a laugh, “It’s pretty hard to get a good band name, so if you have one, keep it.” Good band name aside, that life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over. And while the wait has been long, the much-anticipated record finds the band’s signature sound – lean, potent and eminently entrancing – intact, even as Dylan surrounds himself ...
Ripe’s newest album Bright Blues is a collection of 12 songs full of sleek grooves and bold melodies that the Boston quintet put together to help ride out tough times, an anthem for better days ahead. “The wildest thing for me is that the record simultaneously sounds like it has the scars of everything we’ve been through and also that it doesn’t — it’s joyful music, which is very exciting given that it was made in the middle of getting hit in the stomach,” says singer Robbie Wulfsohn, who came together with guitarist Jon Becker, drummer Sampson Hellerman, and trombonist Calvin Barthel while they were all studying at Berklee College of Music. The band drew acclaim from the likes of the Boston Globe, Huffington Post and WXPN with their first full-length, Joy in the Wild Unknown. Their streams on Spotify surged past 56 million as they conquered stages at festivals including Bonnaroo, Firefly, SweetWater and Bottlerock, and sold tens of thousands of tickets across the US, including selling out the iconic House of Blues Boston and Brooklyn Steel. Bright Blues is their first release after signing to indie powerhouse Glassnote Records and their first release working with outside co-writers. Teaming up on production with Noah Conrad (BTS, Niall Horan) and Ryan Linvill (Olivia Rodrigo, Dermot Kennedy) helped bring the high-energy, freewheeling stage show to the recording studio, with the result being an album that shows the full scope of the band’s abilities as writers and performers. The live show has always been at the core of who Ripe is, and now the recorded music can stand alongside it as an all- encompassing representation of who the band is and where they are going. ***Our Summer Series is scheduled to be held outdoors on the Village Green. However, the safety of our patrons, staff, and the artists we present are our top priority. In the event ...
Phantom Planet Formed in 1994, Phantom Planet is a Los Angeles band that has released five albums of melodic, energetic Alt Rock. Helping to define the early 00s music landscape, they’re best known for writing anthemic hits like “California,” (theme of the TV series: The O.C.) and their wildly exciting live shows with deep fan engagement. The band has entertained the masses through a combination of stellar musicianship & compelling song writing which now spans over 30yrs. After a hiatus in 2008, the band reunited in 2019, continuing to evolve their sound while maintaining their signature energy and melodic sensibilities. Phantom Planet is comprised of Alex Greenwald, Sam Farrar, Darren Robinson, and Andrew Parker. Phantom Planet is no longer missing; they are ready to reclaim their position in the music industry. ***Our Summer Series is scheduled to be held outdoors on the Village Green. However, the safety of our patrons, staff, and the artists we present are our top priority. In the event of extreme weather (thunderstorms, flooding, etc.) this performance will be moved indoors to our theater. There are two ticket types: Rain or Shine Tickets (first 400 sold) include a guaranteed seat whether the show is held outdoors or moved indoors. These tickets are non-refundable, even if the show is moved inside. Outdoor Only Tickets (all remaining tickets) are valid only if the show takes place outdoors. If the show is moved inside, these tickets will be automatically refunded. Otherwise, they are non-refundable. The final decision to move a performance indoors will be made no later than 10:00 AM on the day of the show. Updates will be posted on our website and social media and emailed to all ticket holders.